![]() ![]() The two undertakings are unbendingly supervised by Jenna’s mom: “Fixing me and the Cotswold are her new professions” (13). Furthermore, similarly as Jenna is mending, the house is being revamped. Jenna’s own room is “cold… in disposition” (15), much as Jenna herself seems to be, as she has trouble handling feelings or feeling love (9). Since a “Cotswold” is a sort of sheep, Jenna reasons, “we should live in a one-room house implied for sheep” (15), rather than a twenty-room domain where the majority of the rooms are bolted or void. Jenna quickly perceives that there is something unnatural about this enormous chateau-for reasons unknown portrayed as a “bungalow”- similarly as there is something unnatural about the manner in which she lives. ![]() The Cotswold Bungalow/Jenna’s Room as Jenna One early and predictable theme is the examination between Jenna’s home and her room and Jenna herself. ![]()
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